Wednesday, April 30, 2008

Joy



I have said before that the Middle Ground of the Cather Foundation is indeed broad—reaching out from its center in Red Cloud to the far corners of the world. But sometimes, the “world” comes to Red Cloud.

Today the Middle Ground of the Cather Foundation announces an exhibition of international art and joy—or, Joy with a capital “J.” To be precise, I want to talk about Steve Joy, a British artist whose work will be featured at the Red Cloud Opera House Gallery in June, as a part of the annual Willa Cather Spring Conference, scheduled for June 5-6-7. (See the 2008 Spring Conference Schedule at www.willacather.org.)

Joy is a painter who has worked and taught on three continents. He says of himself that he has for twenty-five years been “exhibiting his unique brand of exotically evocative art all over the world.” He has exhibited his work in galleries in Norway, Switzerland, Spain, Belgium, the United States, as well as in his native England. Joy travels between England and his studios in Omaha and New York.

The Spring Conference itself will bring individuals from throughout the United States and occasionally from a number of foreign countries. Guests, as well as presenters, will include professional scholars, teachers, and lay people who study and enjoy the work of Willa Cather. Thus, it is quite fitting to also include an artist of national and international repute.



Joy says of his painting that “ . . . My current works include the somewhat romantic idea that exotic and mysterious places can be contained within painting—giving us all a taste of the unknown without having to make the journey ourselves. My paintings evoke thoughts of sacred places, abbeys, cathedrals, darkened candlelit rooms; and the perfume of incense and spices from the East . . . Most of all, I was thinking of silence—the kind of silence I connect to icons, especially the great icons of the Byzantine period.”

If you plan to visit the Cather Center Gallery when Steve Joy is exhibiting his work, plan to experience paintings that are exciting and monumental in size. Joy, always aware of his surroundings, will also be bringing some work inspired by the Great Plains. He will lecture on “Cather and Her contemporaries in the World of the Visual Arts” on Friday, June 6, in the morning from 10:00 to 11:00 in the Opera House Gallery.

Following Joy’s exhibition in Red Cloud, his work moves to the Joslyn Art Museum, June 28 – September 21, 2008, where a full-career exhibition will be featured, along with Joy’s new book, Steve Joy Paintings, 1980-2007: Uncreated Light. This newly released book includes beautiful reproductions of his works and places that have inspired Joy, including sites in Mexico, New York, Morocco, France, Spain, Norway, Italy, India, and Japan.

Please join us at the Cather Historic Site in June and experience Steve Joy’s impressive exhibition.


Thursday, April 24, 2008

Restored Red Cloud Opera House Celebrates 5th Anniversary


On May 3, 2003, the newly restored 1885 Red Cloud Opera House was officially reopened and dedicated. The reopening five years ago was highlighted by an outdoor dedication, during which a number of dignitaries from throughout the state and the nation spoke and Marcy Thompson’s fifth grade class cut the ribbon. On stage that evening was James Ford’s production of The Bohemian Girl, which had also been produced in 1898 by the Anderson Company with Willa Cather herself in attendance.

The dedication was truly a gala event. There was much to celebrate that day. Twelve years of planning, fundraising, and plain hard work had gone into the project. Local individuals and people from throughout the country had contributed time, energy, and resources to make the restoration possible. At times, many had considered this to be the impossible dream, but it became a reality because the Cather Foundation Board of Governors, the Cather Foundation membership, and friends of the Foundation simply would not give up.

Today the Opera House is alive with activity. The Foundation offices, located on the ground floor, provide the “command center” for worldwide Cather-related activities. The gallery and auditorium are hosts to a wide spectrum of local, regional, and international talent. The facility plays host to a variety of business and professional groups. Weddings have been held there, politicians have spoken there, and, of course, the Spring Conference is centered in the facility. All of these activities and more reflect the same kinds of events that dominated the Red Cloud Opera House back in the late 1800s and early 20th century. Cather was at home in this facility then, and we like to think that she would be pleased with the events occurring there now. The restored Opera House has turned out to be exactly what those who made it possible expected.